For director Sean Baker, the magic of cinema extends far beyond the confines of a streaming platform; it is intrinsically tied to the tactile experience of film. While lucrative offers from major streaming services loom on the horizon, Baker remains steadfast in his dedication to the theatrical experience, particularly through his decision to shoot his latest film, *Anora*, on celluloid. In a recent interview, the director emphasized the importance of honoring the very medium that birthed the art of filmmaking, asserting, “We shouldn’t abandon the medium which created this artform.” For Baker, shooting on film not only enhances the visual palette of a project but also reinforces the cultural significance of film as a communal viewing experience.
Baker’s sentiments reflect a prevailing belief among purists that theatrical releases should be prioritized over home entertainment. He has made it clear that, for him, “theatrical means everything,” considering digital home viewing merely an afterthought. This perspective highlights a growing divide in the industry as it evolves in response to changing consumer habits. While many filmmakers and studios are increasingly leaning into the convenience of streaming, Baker is adamant that the theatrical experience—complete with its communal atmosphere and larger-than-life visuals—should be preserved and championed.
Baker’s collaboration with distributor NEON further solidifies his commitment to the theatrical model. He was pleased to secure a lengthy theatrical window for *Anora*, which ran for 60 days before transitioning to digital platforms on December 17, following its October 18 release. This structured timeline allows audiences to fully engage with his work on the big screen before it becomes available for at-home viewing. Baker is unapologetic about his demands for extended theatrical runs, hoping to push the envelope even further for future projects.
Since garnering the prestigious Palme d’Or at the Cannes Film Festival, *Anora* has earned critical acclaim, including multiple nominations at the Golden Globes and Directors Guild of America (DGA). The film’s success also underscores Baker’s rising profile in the industry, showcasing his ability to weave storytelling with commercial appeal. With a modest production budget of $6 million, *Anora* has achieved unprecedented gross revenues, tallying over $32 million globally—the highest of Baker’s career to date.
Baker’s fervor for the cinematic experience extends beyond his films; he envisions a vibrant future for cinema as a whole. His ethos resonates with a broader struggle within the industry: the need to foster an environment where theatrical experiences are prioritized, and the artistry of filmmaking is preserved. As the landscape of film continues to shift, Baker’s commitment to celluloid and the theatrical model serves as a bold reminder of the artistry and significance that film continues to embody.