Nearly three decades have passed since Tom Hanks made his mark as a screenwriter and director with “That Thing You Do!” The 1996 film, which centers around a fictional 1960s boy band, has evolved into a cult classic, embodying the charm and spirit of its era. Hanks recently shared his insights on the film during his appearance on the podcast “Conan O’Brien Needs a Friend,” revealing his complex relationship with the reception and legacy of the movie.
Hanks humorously dissected the often unpredictable nature of film criticism, pointing out the dichotomy he experiences between initial reviews and the hindsight found in retrospective analyses. Reflecting on the scrutiny the film faced upon its release, he admitted that it attracted mixed reactions from critics. One moment, reviews implied it was “the worst thing,” while the next, critics casually noted their enjoyment. This rollercoaster of judgment offers a revealing glimpse into the subjective nature of art and audience reception over time.
He noted that, despite the sting of harsh critiques, there is an inherent process of maturation that films undergo as they age. With time, what may have flopped or fallen flat can emerge as culturally significant and joyfully nostalgic. Hanks underscored the importance of letting art “exist as it is” beyond classifications of success or failure, allowing it to resonate differently with audiences over the years.
The discussion led Hanks to ponder the paradox of critical perception. For instance, he hilariously recounted a particularly scathing remark directed at his work, noting that those who condemned “That Thing You Do!” eventually revisited it with kinder words after two decades had passed. Hanks seemed to embody a sense of peace with this phenomenon, recognizing it as part of the film industry’s cyclical critique culture.
He aptly pointed out that this pattern isn’t mere coincidence; rather, it’s an integral part of the viewing experience. What was once considered inconsequential or outdated can shift into the realm of ‘cult status’ with the passage of time. Hanks’ reflections illustrate the notion that artistic masterpieces must often weather an initial storm of scrutiny before they can be appreciated in the full spectrum of their contributions to culture and cinema.
In addition to his reflections on the film’s critical history, Hanks highlighted the ensemble cast, which includes not only his own performance but also talented actors like Liv Tyler, Johnathon Schaech, and Steve Zahn. The nostalgic nature of the film, along with the catchy title track, has secured its place in the hearts of viewers, underscoring the emotional bonds that music and storytelling can forge.
Overall, Hanks’ affection for “That Thing You Do!” speaks volumes about the transformative power of cinema and its ability to evolve. As time unfolds, so too does the appreciation for the nuanced narratives we create. Through Hanks’ lens, it’s clear that art is not a static entity but rather a dynamic conversation between creator and audience—a dialogue that persists long after the credits roll.