Indian and Horror Films Continue to Dominate the Box Office

In its second week, IFC Films’ Late Night With The Devil reaffirmed its dominance in the specialty market. The Australian duo Colin and Cameron Cairnes showcased their talent through this horror film, starring David Dastmalchian as a 1970s talk show host. The movie grossed $2.2 million on 1,442 screens, accumulating a total of $6.2 million. Late Night With The Devil has proven to be a hit, ranking at no. 7 in the top ten.

Among the top performers in the box office this week are two Indian films – Prathyangira Cinemas’ Tillu Square and FunAsia Films’ Crew. Tillu Square, a Tollywood film directed by Mallik Ram, debuted at no. 8 and grossed $1.83 million across 450 theaters. The Telugu-language romantic crime caper is a sequel to the 2022 film DJ Tillu, starring Siddhu Jonnalagadda and Anupama Parameswaran. On the other hand, Crew, a Bollywood film directed by Rajesh Krishnan, opened to an estimated $1.49 million at 485 theaters. The movie follows a group of air hostesses from Mumbai on their adventurous journey.

Indian films have been a staple in the U.S. box office for years, catering to the local audience and occasionally crossing over to a wider viewership. Titles like RRR, Jawan, Pathann, and Animal have garnered significant attention lately. With a limited release schedule due to Hollywood strikes, Indian films have gained greater significance. The pandemic has shifted audience preferences, making these films a crucial aspect of the current box office landscape.

Samuel Goldwyn Film’s In The Land Of Saints And Sinners, starring Liam Neeson, opened at an estimated $1 million on 896 screens. This monster fight film competed with other top performers, attracting audiences with its thrilling narrative set in 1970s Ireland. Neeson’s portrayal of Finbar Murphy, a retired hitman facing a terrorist group, received positive reviews from critics and audiences. Promotional efforts by the cast, including appearances on national shows, contributed to the film’s success.

Asphalt City, a film from Vertical and Roadside Attractions, opened to $130k on 298 screens, featuring Tye Sheridan and Sean Penn as paramedics in New York City. Despite a moderate reception, the movie offered a unique perspective on a challenging night in the bustling city. Sony Pictures Classics’ Wicked Little Letters, starring Olivia Colman, grossed $87.9k on five screens. The period comedy intertwining the lives of two neighbors showcased the talents of Colman and Jessie Buckley, leaving audiences intrigued by the witty narrative.

Several limited releases added to the diverse lineup at the box office. Atlas Distribution’s A Fragile Flower, a Vietnamese romance-music-drama, drew audiences with its compelling storyline and captivating performances. With films like La Chimera, Le Samouraï, and others making their mark, the box office continues to offer a variety of cinematic experiences to viewers. The success of these limited releases highlights the audience’s appetite for unique and engaging storytelling.

Indian and horror films have maintained their stronghold in the box office, captivating audiences with their distinct narratives and talented cast. The success of Late Night With The Devil, coupled with the rise of Indian cinema, demonstrates the evolving landscape of the film industry. As viewers seek diverse and engaging content, the box office continues to thrive with a mix of mainstream hits and independent gems.

Box Office

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