In a significant development for the independent production landscape in Europe, the European Producers Club (EPC) has appointed Julie-Jeanne Régnault as its new Managing Director. Her appointment comes as the organization bids farewell to Alexandra Lebret, who devoted an impressive 23 years of her life to steering the EPC. This transition marks the beginning of an exciting era aimed at revitalizing the association, which represents a diverse collective of 200 independent production companies spread across 35 nations within Europe.
Régnault’s background as the Secretary General of the European Film Agency Directors Association (EFAD) from 2019 until 2025 equips her with robust experience in policy-making and advocacy in the fast-evolving audiovisual sector. The EPC’s enthusiasm about her joining reflects a shared vision for amplifying independent producers’ voices amidst an increasingly competitive media landscape.
Visionary Leadership and Experience
The response from the EPC Board of Directors underscores the confidence they have in Régnault’s capabilities. Dariusz Jablonski, President of the Board, expressed his excitement, highlighting her expertise as a perfect fit for their mission. Carlotta Calori, the Board’s Vice-President, welcomed Régnault’s energy and competence. These statements illustrate an eagerness within the EPC to confront the challenges that lie ahead.
Régnault’s plans to establish her base in Brussels, despite the EPC’s Paris headquarters, signal a strategic approach to engage with EU institutions actively. In an environment where audiovisual policies are increasingly dictated by political landscapes, having a consistent presence within these arenas is vital for advocating the needs of independent producers. Her expertise positions her uniquely to bridge the gap between European lawmakers and the vibrant community of audiovisual creators.
Commitment to Independent Creatives
Régnault’s ambition to foster deeper connections within the industry will likely take priority in her role. This involves not only enhancing networking opportunities but also bolstering professional services for EPC members. As independent makers of cinema and television—many of whom face bureaucratic hurdles—gain new platforms, the potential for artistic expression and financial sustainability becomes more attainable.
In her own words, Régnault recognizes the importance of advocating for ambitious European audiovisual policies that resonate with shared values, including freedom of expression and cultural diversity. This commitment is essential, especially in today’s global context where local narratives often compete against larger, globalized entities. Her advocacy aims at maintaining the cultural integrity and unique identities of European productions, which is vital for preserving Europe’s global standing in the arts.
A Strong Foundation for Future Growth
Régnault’s career trajectory reflects a deep-rooted understanding of European audiovisual policy. Her previous roles demonstrate a consistent commitment to supporting and advocating for the interests of filmmakers and producers. With her experience ranging from a Policy Officer at the European Commission to heading European Affairs at the CNC (French National Centre of Cinema), she possesses the necessary toolkit to navigate the complexities of EU policymaking.
Her engagement with organizations that bolster European cultural diversity will be pivotal as the EPC emphasizes its role as a guardian of independent voices in the continent’s audiovisual landscape. As Régnault takes the reins, her vows to enhance collaboration among creative agencies will be crucial for ensuring that the interests of independent creators are not sidelined in policy discussions.
Expanding Horizons Through Education and Advocacy
Beyond her managerial role, Régnault has also committed to sharing her extensive knowledge by teaching EU Affairs at universities. This educational endeavor serves a dual purpose: it not only enriches the next generation of media professionals but also fortifies the community of independent producers by fostering a well-informed generation that understands the intricate connections between policy and production.
By embracing her multifaceted expertise, Régnault is looped into a dialogue that transcends mere production concerns; she recognizes the importance of nurturing a creative ecosystem that values artistic innovation and collaboration. As the EPC ushers in this new phase under her leadership, one can only anticipate the positive shifts that will arise in the promotion of cultural identities and artistic collaborations across Europe.