Recently, there have been a series of articles spreading false and damaging allegations against legendary filmmaker Francis Ford Coppola. One such article from Variety made claims of unprofessional behavior on the set of his latest film, Megalopolis. The article even included a video that supposedly showed Coppola kissing extras on set.
However, the truth has now come to light as one of the extras, Rayna Menz, has come forward to debunk these claims. In a post on Instagram, Menz expressed her disgust at the insinuation that Coppola acted inappropriately. She made it clear that Coppola was nothing but professional during the filming of Megalopolis and that the allegations were completely false. In fact, Menz was the one who initiated a dance with Coppola on set, showcasing the positive and respectful atmosphere during filming.
The Targeted Attacks
Unfortunately, these misleading claims are not isolated incidents. Other media outlets have also targeted Coppola with negative reports, such as The Hollywood Reporter suggesting that his production was out of control. Despite these attacks, Coppola has insisted that his film was completed on time and on budget, showcasing his professionalism and dedication to his craft.
In light of these unwarranted attacks, it is important to recognize Coppola’s contributions to American cinema. His willingness to invest $120 million of his own money into Megalopolis is a bold and admirable feat that deserves recognition. Regardless of personal opinions on his work, Coppola should be respected for his commitment to his art and his resilience in seeing through a project he has been passionate about for decades.
It is crucial to separate fact from fiction and not be swayed by sensationalized stories that seek to tarnish the reputation of a revered filmmaker. The truth, as told by those who were actually present on set, paints a very different picture of Francis Ford Coppola than the one being perpetuated by certain media outlets. It is time to give credit where credit is due and show respect to a true cinematic visionary.