Movies

The highly acclaimed director Stefan Ruzowitzky is set to helm the upcoming thriller “Ice Fall.” With production scheduled to commence in early 2024, this film promises to captivate audiences with its gripping storyline and talented cast. George Mahaffey has penned a thrilling script that combines elements of crime, suspense, and survival. As the project gains
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The negotiations between the Screen Actors Guild-American Federation of Television and Radio Artists (SAG-AFTRA) and the Alliance of Motion Picture and Television Producers (AMPTP) have reached a critical juncture. As the actors’ strike enters its 112th day, both sides are cautiously optimistic but remain tight-lipped about the ongoing discussions. Today was described as “more of
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Irish writer, director, and actress Antonia Campbell-Hughes is making waves in the entertainment industry. After the success of her feature directorial debut, the thrilling film It Is In Us All, she has signed with Entertainment 360 for representation in all areas. Campbell-Hughes has proven her talent and versatility, capturing audiences with her captivating performances and
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Nick Vallelonga is a name that has gained recognition in the film industry due to his exceptional talents as a writer, producer, and actor. His recent work on Universal’s Green Book garnered him prestigious accolades such as Oscars and Golden Globes for Best Original Screenplay and Best Picture. Vallelonga’s ability to tell compelling stories that
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The highly anticipated crime epic, “Killers of the Flower Moon,” directed by Martin Scorsese, has generated controversy due to the imposition of intermissions in certain theaters across the globe. This unauthorized decision prompted intervention from Paramount, the film’s primarily theatrical distributor, as well as its international partners. While the extensive runtime of three hours and
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Throughout my years in the filmmaking industry, I have witnessed numerous heated debates and arguments among filmmakers. Interestingly, the most intense fights were not centered around budget constraints or casting choices; they were about the length of the films. A recent screening of Martin Scorsese’s Killers of the Flower Moon reminded me of these confrontations,
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