International

The 18th Asian Film Awards (AFA) recently took place at the Grand Theatre of the Xiqu Centre in Hong Kong, illuminating the thriving landscape of Asian cinema with its celebration of talent and creativity. This year, the festival showcased an array of films that pushed artistic boundaries, encapsulated deep-rooted cultural narratives, and reflected the diverse
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In recent years, the horror genre has experienced a renaissance, particularly in Southeast Asia, where burgeoning film industries in Indonesia and Vietnam are generating a surge of interest. Mockingbird Pictures, a key player in this dynamic landscape, has set its sights on international markets, leveraging the cultural narratives and unique aesthetics of both countries to
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In a bold and strategic move, See-Saw Films is venturing into the English-language remake territory with its latest project, “Trust No One.” This imminent adaptation of the acclaimed Israeli spy series is not merely a carbon-copy translation; it signifies a distinct opportunity to explore deeper narrative dimensions and character arcs that resonate with a broader
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In a significant development for the independent production landscape in Europe, the European Producers Club (EPC) has appointed Julie-Jeanne Régnault as its new Managing Director. Her appointment comes as the organization bids farewell to Alexandra Lebret, who devoted an impressive 23 years of her life to steering the EPC. This transition marks the beginning of
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The film industry is perpetually in search of stories that transcend geographical boundaries. Indonesia’s latest offering, “Rangga & Cinta,” aims to do precisely that through its nostalgic reboot of the iconic 2002 film “What’s With Love?” (Ada Apa Dengan Cinta?). Produced by Barunson E&A, a company with a stellar track record that includes the Oscar-winning
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In a powerful statement that echoes through the corridors of the entertainment industry, esteemed actor Sir Ian McKellen encourages young gay actors to embrace their identities openly. Drawing a parallel between the challenges faced by homosexual actors and those encountered by aspiring footballers in the UK’s prestigious Premier League, McKellen highlights the pervasive issue of
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The cinematic landscape has recently welcomed back one of its most cherished characters, Bridget Jones, in a charmingly contemporary incarnation with “Mad About the Boy.” With Renée Zellweger reprising her iconic role, the film has already crossed the impressive threshold of $100 million at the international box office. This achievement undeniably marks a significant moment
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