International

As Hollywood gathers in Las Vegas for the much-anticipated CinemaCon, the international box office has shown a mix of triumphs and challenges this past weekend. The cinematic landscape is arguably more dynamic than ever, with a noteworthy debut from Jason Statham’s “A Working Man,” which amassed a strong $30.2 million globally. This figure, bolstered by

The film industry, often glamorized by the allure of celebrity and the magic of storytelling, conceals the harsh realities that many within its ranks face. One such sobering example is the recent predicament surrounding the indie film *Angels in the Asylum*. This production, aimed at shedding light on the plight of women wrongfully incarcerated in

Cyril Hanouna, a figure both celebrated and criticized in the French television landscape, is set to significantly reshape his career path as he transitions to M6 this September. David Larramendy, the head of M6, touts this forthcoming chapter as pivotal, shedding light on the network’s strategic pivot towards local content and entertainment. As Hanouna steps

In a bold maneuver signaling its aspirations for a broader European media landscape, MFE-MediaForceEurope has unveiled its public tender offer for the remaining stake in German broadcasting giant ProSiebenSat.1 Media. With the Berlusconi family, long entrenched in media with formidable influence, at the helm, this initiative is not just a financial transaction—it represents a strategic

In recent years, mainstream television has begun to embrace themes and narratives that reflect the complexities of diverse communities, yet rarely do we witness an exploration of those stories through the lens of marginalized voices. “Reunion,” a groundbreaking revenge drama, is pushing the boundaries of conventional storytelling by weaving in the experiences and realities of

In a world where art often serves as a mirror to societal truths, the recent events surrounding the documentary “No Other Land” starkly highlight the perilous intersection of creativity and conflict. Co-director Hamdan Ballal, a Palestinian filmmaker, faced an alarming incident when he was violently attacked by a mob of Israeli settlers near his village

When Oliver Masucci signed on for the Israeli drama series *The German*, he anticipated the challenges that come with portraying historical and deeply traumatic themes. However, nothing could have prepared him for the harsh reality he faced while filming against the backdrop of the Israel-Hamas conflict. Masucci articulated a profound sense of “co-traumatization,” succinctly capturing

The finale of Max’s telenovela *Beleza Fatal* (Scars of Beauty) managed to break the mold of typical narrative resolutions that viewers have come to expect. In a genre renowned for its melodramas and neatly wrapped-up plots, this show took a bold step by offering a darker, more complex resolution for its central characters. For anyone

Karla Sofía Gascón, a name that recently echoed through the halls of Hollywood, found her trajectory unexpectedly disrupted by social media comments that date back several years. Known for her compelling performance in the film *Emilia Pérez*, Gascón was poised to enter the annals of history as the first openly transgender actress to clutch an

In a groundbreaking move that signifies a new chapter in the film industry, Hong Kong’s Phoenix Waters Productions has teamed up with South Korea’s Studio Target, marking a pivotal moment for cross-border cinematic collaboration. The signing of their memorandum of understanding (MOU) not only sets the groundwork for future projects but also highlights a shared