In recent years, the horror genre has experienced a renaissance, particularly in Southeast Asia, where burgeoning film industries in Indonesia and Vietnam are generating a surge of interest. Mockingbird Pictures, a key player in this dynamic landscape, has set its sights on international markets, leveraging the cultural narratives and unique aesthetics of both countries to
International
In a bold and strategic move, See-Saw Films is venturing into the English-language remake territory with its latest project, “Trust No One.” This imminent adaptation of the acclaimed Israeli spy series is not merely a carbon-copy translation; it signifies a distinct opportunity to explore deeper narrative dimensions and character arcs that resonate with a broader
In a significant development for the independent production landscape in Europe, the European Producers Club (EPC) has appointed Julie-Jeanne Régnault as its new Managing Director. Her appointment comes as the organization bids farewell to Alexandra Lebret, who devoted an impressive 23 years of her life to steering the EPC. This transition marks the beginning of
The Hong Kong-Asia Film Financing Forum (HAF) stands as a vital pillar in the landscape of Asian cinema, celebrating its 23rd edition this year. This project market, which runs concurrently with Hong Kong’s Filmart, serves as a melting pot for creative minds, showcasing 25 thoughtfully curated projects from March 17 to 19. The inclusion of
The film industry is perpetually in search of stories that transcend geographical boundaries. Indonesia’s latest offering, “Rangga & Cinta,” aims to do precisely that through its nostalgic reboot of the iconic 2002 film “What’s With Love?” (Ada Apa Dengan Cinta?). Produced by Barunson E&A, a company with a stellar track record that includes the Oscar-winning
In a powerful statement that echoes through the corridors of the entertainment industry, esteemed actor Sir Ian McKellen encourages young gay actors to embrace their identities openly. Drawing a parallel between the challenges faced by homosexual actors and those encountered by aspiring footballers in the UK’s prestigious Premier League, McKellen highlights the pervasive issue of
In a world where female empowerment is gaining unprecedented momentum, the film industry is waking up to the need for narratives that challenge established norms. The recent debut of “Glorious Summer,” directed by the innovative Polish duo Helena Ganjalyan and Bartosz Szpak, serves as a striking example of this cultural evolution. This experimental feature, which
The cinematic landscape has recently welcomed back one of its most cherished characters, Bridget Jones, in a charmingly contemporary incarnation with “Mad About the Boy.” With Renée Zellweger reprising her iconic role, the film has already crossed the impressive threshold of $100 million at the international box office. This achievement undeniably marks a significant moment
In a time when traditional media is grappling with substantial transitions, ProSiebenSat.1 Media, a prominent player in the German media landscape, has revealed its financial results for 2024, presenting a complex yet resilient picture. The company reported revenues of €3.92 billion, marking a modest 2% increase year-over-year. However, the growth narrative is painted with caveats,
In a significant shift within the BBC’s upper management, John Shield, the communications boss with an impressive tenure of over a decade, is set to leave the organization. This moment marks not just his exit but the end of an era during which Shield navigated the complex waters of crisis management and media relations within
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