Box Office

The Christmas box office of 2023 witnessed a remarkable resurgence of indie films, heralding a new era for independent cinema in a post-pandemic landscape. Robert Eggers’ innovative adaptation, *Nosferatu*, from Focus Features, took center stage, captivating audiences with its gothic allure and stylish horror aesthetics. Meanwhile, James Mangold’s *A Complete Unknown* emerged as Searchlight Pictures’

Warner Bros is undergoing a significant realignment of its film release calendar as the holiday season draws to a close. This shift appears to be a tactical maneuver to reshape its film slate for 2027 and beyond, beginning with changes to highly anticipated titles. The highlight of this adjustment is the postponement of Matt Reeves’

In a remarkable achievement for Universal Pictures, the cinematic adaptation of the beloved Broadway musical “Wicked” is poised to shatter the $400 million threshold at the domestic box office. This milestone not only reinforces the film’s place in cinematic history but also underscores its profound cultural impact. Set to be released digitally on December 31,

The holiday season has once again proven to be a critical time for the film industry, evidenced by the Christmas Eve box office figures. This year, the box office earned $25 million, reflecting a 19% decrease from the previous day’s gross of $30.9 million. However, it’s essential to contextualize this drop; when compared to last

The holiday season has a knack for drawing crowds to Broadway, and this year, the revival of *Elf the Musical* has taken the spotlight in a significant way. With its triumphant return, the show has not only entertained audiences but also set a new financial benchmark at the Marquis Theatre, achieving an impressive gross of

As the holiday season intensifies, the moviegoing experience shifts gears, especially with schools out for the break. The contribution of students to the box office can’t be underestimated, as many K-12 institutions—and colleges—are closed. This year, several anticipated titles are vying for audience attention as family-oriented films dominate the landscape during this festive period. Paramount’s

Walter Salles, a revered figure in the realm of filmmaking, has made a riveting return to the silver screen with his latest project, “I’m Still Here”. Following its world premiere at the Venice Film Festival, where it garnered the esteemed Best Screenplay award, the film has been making headlines for its impressive achievements in both

As we approach Christmas Day 2025, the film landscape is shaping up to offer an exciting array of new releases that might redefine the holiday movie experience. With Lionsgate kicking off the festivities by announcing the release date for Paul Feig’s thriller, *The Housemaid*, featuring Sydney Sweeney and Amanda Seyfried, the fervor is palpable. Meanwhile,

Sony Pictures has officially marked its territory in the horror genre by announcing the release of the eagerly anticipated sequel, “28 Years Later: The Bone Temple,” scheduled to hit theaters on January 16, 2026. This film is the second installment in what is now a revitalized trilogy following the groundbreaking “28 Days Later” series. The

As the film industry emerges from the shadow of the pandemic, projections for the global box office in 2025 are looking promising. Gower Street Analytics has forecasted a remarkable $33 billion in revenue for that year, marking an approximate 8% increase over the anticipated box office take of $30.5 billion for 2024. This figure, while