Box Office

Mubi has made a significant move by appointing Mark Boxer as their U.S. Head of Distribution. With his extensive experience in the industry, Boxer is set to take Mubi’s distribution strategy to the next level. This appointment comes at a time when Mubi is looking to make larger investments in features and expand its presence

Jane Schoenbrun’s “I Saw Then TV Glow” is making waves at the box office, with an estimated earning of over $195k on 21 screens in its second week of release. The film’s success can be attributed to its passionate fan base, which primarily consists of young, male, and LGBTQ+ viewers. This gender-bending supernatural thriller has

Fans of the zombie apocalypse genre rejoice, as the next installment in Danny Boyle’s 28 franchise is set to hit theaters on June 20, 2025. Titled “28 Years Later,” this movie is highly anticipated by audiences who have been following the series since its inception in 2002. Director Danny Boyle is making a comeback to

Sources have revealed that the highly-anticipated movie, Kingdom of the Planet of the Apes, produced by 20th Century Studios, has had a promising start at the box office. Previews alone have brought in an impressive $6.5 million, which includes earnings from Thursday night showings starting at 3 PM as well as $1.6 million from Wednesday

Monkeypaw Productions, known for its unique and thought-provoking films, is set to release a new movie titled “Him” on September 19, 2025. The film, based on a Black List screenplay by Zack Akers and Skip Bronkie, follows the story of a talented young football player who gets the opportunity to train with a legendary quarterback

Disney CEO Bob Iger recently announced a shift in the studio strategy for Marvel movies, stating that the company will limit its output to “two good films” a year, with three being the maximum. This decision comes after a string of high-profile misses that has led to speculation about “superhero fatigue.” In addition, Iger revealed

The road to riches for a live-action Barbie movie was certainly a long and winding one. The project had been floating around Hollywood for years, with different studios and producers attached at various points in time. It wasn’t until Warner Bros got involved that things really started to take shape. With Margot Robbie in the

A24’s I Saw The TV Glow recently made a significant impact within the limited release market. The ’90s era trans coming-of-age horror-thriller, directed by Jane Schoenbrun, grossed an impressive $116.3k at just four theaters in New York and LA. With a per screen average of $29k, the film has garnered attention for its unique storyline

Universal Pictures began the summer season with the release of the Ryan Gosling-Emily Blunt action comedy, The Fall Guy. The film brought in $3.15M from showtimes on Thursday night, including Wednesday advance screenings. Despite high expectations, The Fall Guy is projected to make around $35M to $40M for the opening weekend, which is not the

In the midst of the Covid pandemic, studios quickly adapted to the day-and-date release model where movies were simultaneously released in theaters and on streaming platforms. However, the success of the film “Teenage Mutant Ninja Turtles: Mutant Mayhem” showed that there is still immense value in a traditional theatrical release. The financial data compiled for