Box Office

Disney CEO Bob Iger recently announced a shift in the studio strategy for Marvel movies, stating that the company will limit its output to “two good films” a year, with three being the maximum. This decision comes after a string of high-profile misses that has led to speculation about “superhero fatigue.” In addition, Iger revealed

The road to riches for a live-action Barbie movie was certainly a long and winding one. The project had been floating around Hollywood for years, with different studios and producers attached at various points in time. It wasn’t until Warner Bros got involved that things really started to take shape. With Margot Robbie in the

A24’s I Saw The TV Glow recently made a significant impact within the limited release market. The ’90s era trans coming-of-age horror-thriller, directed by Jane Schoenbrun, grossed an impressive $116.3k at just four theaters in New York and LA. With a per screen average of $29k, the film has garnered attention for its unique storyline

Universal Pictures began the summer season with the release of the Ryan Gosling-Emily Blunt action comedy, The Fall Guy. The film brought in $3.15M from showtimes on Thursday night, including Wednesday advance screenings. Despite high expectations, The Fall Guy is projected to make around $35M to $40M for the opening weekend, which is not the

In the midst of the Covid pandemic, studios quickly adapted to the day-and-date release model where movies were simultaneously released in theaters and on streaming platforms. However, the success of the film “Teenage Mutant Ninja Turtles: Mutant Mayhem” showed that there is still immense value in a traditional theatrical release. The financial data compiled for

The article highlights the importance of theatrical releases for movies, emphasizing that there is nothing more profitable than a theatrical release and the downstreams that come with it. It mentions that studios realized the necessity of theatrical releases in order to eventize their movies, and that it serves as an advertisement for a movie’s longevity

After the challenges brought on by the Covid pandemic, the entertainment industry saw a significant shift in the way movies were released. Theatrical day-and-date models were widely embraced by studios when cinemas were closed. However, as theaters reopened, it became evident that there is still a strong demand for the theatrical experience. The downstream revenues

In the wake of the Covid pandemic, studios began to realize the irreplaceable value of theatrical releases. While the day-and-date model provided a temporary solution when cinemas were closed, the long-term profits associated with theatrical releases and downstream revenues became evident. The theatrical release not only serves as a marketing tool but also enhances a

Universal/DreamWorks Animation’s latest installment in the Kung Fu Panda series, Kung Fu Panda 4, has exceeded expectations by surpassing the $500 million mark at the global box office. A significant portion of this impressive total comes from the international box office, with $318.5 million in overseas ticket sales. This milestone achievement solidifies Kung Fu Panda

Warner Bros. has proven to be a powerhouse in the film industry this year, with a staggering $1.2 billion in global box office earnings. This exceptional achievement can be attributed to the success of two major blockbusters, Legendary’s Dune: Part Two and Godzilla x Kong: The New Empire. Dune: Part Two Breaks Records Dune: Part