Box Office

The holiday season has a knack for drawing crowds to Broadway, and this year, the revival of *Elf the Musical* has taken the spotlight in a significant way. With its triumphant return, the show has not only entertained audiences but also set a new financial benchmark at the Marquis Theatre, achieving an impressive gross of

As the holiday season intensifies, the moviegoing experience shifts gears, especially with schools out for the break. The contribution of students to the box office can’t be underestimated, as many K-12 institutions—and colleges—are closed. This year, several anticipated titles are vying for audience attention as family-oriented films dominate the landscape during this festive period. Paramount’s

Walter Salles, a revered figure in the realm of filmmaking, has made a riveting return to the silver screen with his latest project, “I’m Still Here”. Following its world premiere at the Venice Film Festival, where it garnered the esteemed Best Screenplay award, the film has been making headlines for its impressive achievements in both

As we approach Christmas Day 2025, the film landscape is shaping up to offer an exciting array of new releases that might redefine the holiday movie experience. With Lionsgate kicking off the festivities by announcing the release date for Paul Feig’s thriller, *The Housemaid*, featuring Sydney Sweeney and Amanda Seyfried, the fervor is palpable. Meanwhile,

Sony Pictures has officially marked its territory in the horror genre by announcing the release of the eagerly anticipated sequel, “28 Years Later: The Bone Temple,” scheduled to hit theaters on January 16, 2026. This film is the second installment in what is now a revitalized trilogy following the groundbreaking “28 Days Later” series. The

As the film industry emerges from the shadow of the pandemic, projections for the global box office in 2025 are looking promising. Gower Street Analytics has forecasted a remarkable $33 billion in revenue for that year, marking an approximate 8% increase over the anticipated box office take of $30.5 billion for 2024. This figure, while

Disney had a challenging year in 2023, marked by several high-profile releases that failed to captivate audiences. Films like Pixar’s *Elemental*, *The Marvels*, *The Haunted Mansion*, and *Wish* struggled to ignite the traditional box office fervor that Disney is known for. These lackluster performances raised concerns about Disney’s content strategy and market viability in a

The release of “Red One,” featuring iconic stars Dwayne Johnson and Chris Evans, has made headlines not only for its sheer star power but also for its groundbreaking performance on Amazon Prime Video. This holiday action film has reshaped how we perceive streaming releases, particularly how they are approached following a theatrical run. With its

The resurgence of interest in the horror genre can often be attributed to nostalgic favorites that resonate with audiences of all ages. Sony Pictures is banking on this theory with its announcement to release the original 2002 film, *28 Days Later*, directed by Danny Boyle, on digital platforms starting December 18. This decision stems from

Emerald Fennell, the Academy Award-winning writer and director, is set to make her mark on classic literature with a fresh adaptation of Emily Brontë’s timeless novel, *Wuthering Heights*. Scheduled for release on February 13, 2026, this new interpretation promises to modernize a story that has captivated audiences since its publication in 1847. Fennell’s unique vision,